Besides being its Vadi, it is a Nyaasbahutva note.

Dhaivat is the back bone of the Uttrang of the Raag.

Pancham, although is a Nyasbahutva (Nyas in both Aroah and Avroah) note, but as mentioned above, can also be skipped, G m P, m P d d P, d P m P, and skipped as G m d d P d m P G m P, or as G m d N SРІР‚в„ў.

It can also be used as a meend from m->r as РІР‚ВN S G m (m)r.

Maddhyam is just used as a passing note, G m P G m r, or occasionally prolonged as S G G m m.

Gandhar, as mentioned above, can be approached through Rishabh, S (G)r, (G)r, GРІР‚В¦m G m P, S G m P, and in Avroah, P m G m r, as a passing note.So this kind of Padhyati in a Raga, of simultaneous maximizing and minimizing of the notes makes a Raag more attractive. For example Rishabh can be skipped in the Aroah as РІР‚ВN S G m P, or S G, which is not very common in Ragas. The other peculiarity of this Raag is that except for Dhaivat, all other prominent notes, including Rishabh and Pancham, can be skipped at times. This kind of approach where a note is approached through another note is called Andolan or simply we can say that in this Raag, Rishabh has Andolan from Gandhar. The use of Rishabh is approached through Gandhar, i.e. Besides Shadaj, Rishabh is the Samvadi note.Raag Bhairav is a complex Raga with a very alluring use of Rishabh and Dhaivat, with lots of Swar Sangaties like S G, G m r, G m d d m P, P G, d SРІР‚в„ў, and SРІР‚в„ў D.So it is evident that this is a Shuddh Raga rather than unmitigated by other Ragas.G m r r S, m P d d N SРІР‚в„ў N SРІР‚в„ў d d, SРІР‚в„ў N d d P d m P G m d d P, G m P G m r r S, РІР‚Вd РІР‚Вd РІР‚ВP, РІР‚Вd РІР‚Вd РІР‚ВN S S r r S, S РІР‚Вd РІР‚Вd РІР‚ВN S, S r r G m G m r S РІР‚Вd РІР‚Вd, РІР‚ВN S r r S, РІР‚ВN S G m P, G m d d P d d P m P, It is a morning Sandhi Prakash Raga which is rendered in the higher octaves, although many scholars render it in all three octaves (Mandra, Madhya, and Tar Saptak). All notes are used in both Aroah and Avroah, hence, itРІР‚в„ўs Jati is Sampoorna-Sampoorna.Dhaivat and Rishabh and Komal, and are Vadi and Samvadi respectively.

Bhairav is a Thaat, a Raga, and a Raag-ang.

Aye malik tere bande hum notations